Alonso Berruguete
(Alonso Berruguete) (c. 1488 - 1561) was a Spanish painter, sculptor and architect. He is considered to be the most important sculptor of the Spanish Renaissance, and is known for his emotive sculptures depicting religious ecstasy or torment.
Born in the town of Paredes de Nava, Berrugete studied art under the tutelage of his father, the painter Pedro Berruguete. Following his father's death in 1504, Berruguete travelled to Italy to continue with his study of art, spending most of his time in Florence and Rome. It is here that he studied sculpture under the Italian Master, Michelangelo. His paintings produced in Italy showed a mannerist influence, with his art being compared with contemporaries such as Jacopo Pontormo and Rosso Fiorentino.
Berruguete returned to Spain in 1517, and in 1518, was appointed to the position of court painter and sculptor by Charles V of Spain. From this point in his career forward, Berruguete concentrated on sculpture. Works of his include an altar piece at the Irish college in Salamanca (1529-1533), choir stalls at the Cathedral of Toledo (1539-1543) and a tomb for the Archbishop of Toledo Juan de Tavera at the hospital that Tavera founded, the hospital of St. John the Baptist in Toledo (1552-1561). Related Paintings of Alonso Berruguete :. | In Fosset,Birches | The lawn in the forest | SunSet | Hippopotamus and Crocodile Hunt (mk080 | The Harbour in Amsterdam we | Related Artists: Gonzales Coques1615 - 1684
was a Flemish Baroque painter He was the son of Pieter Willemsen Coques, a respectable Flemish citizen, and not, as his name might imply, a Spaniard, was born in Antwerp. In 1626?C28 he entered the studio of Pieter Brueghel the Younger, and subsequently studied with David II Rijckaert.He is primarily known as a painter of small cabinet conversation pieces, a type of elegant informal group portrait that he is credited with inventing. The influence of Anthony van Dyck resulted in his nickname "Little van Dyck". After a period of travel, probably to England where Van Dyck was active, he entered Antwerp's Guild of St. Luke in 1640?C41. He was married twice, first to Ryckaert's daughter Catharina, and then to Catharina Rysheuvels. He was a member of two rhetorician guilds in the city, and twice he was made president of the painters' guild. This small portraits were in great demand with both the bourgeoisie and nobility.Patrons included Frederick William, Elector of Brandenburg, Frederick Henry, Prince of Orange and John of Austria the Younger. One of his canvases in the gallery at the Hague represents a suite of rooms hung with pictures, in which the artist himself may be seen at a table with his wife and two children, surrounded by masterpieces composed and signed by several contemporaries. Partnership in painting was common amongst the small masters of the Antwerp school; and it has been truly said of Coques that he employed Jacob von Arthois for landscapes, Anton Ghering and Willem Schubart von Ehrenberg for architectural backgrounds, Hendrik Steenwijck the younger for interiors, and Pieter Gysels for still life and flowers; but the model upon which Coques formed himself was Van Dyck, John Roddam Spencer StanhopeEnglish Pre-Raphaelite Painter, 1829-1908,English painter. The second son of Yorkshire landed gentry, he was educated at Rugby and Christ Church, Oxford. In 1850 he studied in London with G. F. Watts, through whom he entered the artistic circle at Little Holland House, where he met D. G. Rossetti and Edward Burne-Jones. In 1857 Rossetti invited him to paint at the Oxford Union (Sir Gawaine and the Damsels at the Fountain), and in 1858 Stanhope occupied a studio next to Rossetti's at Chatham Place, Blackfriars (London), where he painted Thoughts of the Past (London, Tate); a modern-life subject indebted to Rossetti, it shows a prostitute recalling her former life. Stanhope's close friendship with Burne-Jones proved a more decisive influence on his work that, in the 1860s, consisted of dreamlike poetic and mythological subjects often set in quaint, enclosed spaces, as in I Have Trod the Winepress Alone Paul ChenavardLyons 1807 - Paris 1895.
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